PARIS SANS TOI

is like being on the rue Diderot, rue Pigalle

rue Rivolli, Rosiers, Roi de Sicile

It’s dumb romance taking a sharp turn to

incomprehensible insignia

ad infinitum

until your limbs give out


Or to be by the feet of the Seine

with a picnic basket scene at dusk,

right as the nighttime river cruises

blast open their floodlights

to give their patrons a good show

and a bevy of angles


I want to tell you

That the love locks are rusted shut

That the cobble stone roads clamp at the toes

That the heavily lactose cuisine is making my gastric chambers flip flop in confusion


Listen, the smell of garbage withering in the cold is much, much less offensive, sure,

But I’ll brave the acridity of our trash stench most days of the week

to taste how warm your cheeks were last I slouched on your person, telling you I wouldn’t miss you that much.

And It was true.


the negative was much closer in containing the vast dark

of my missing you

than any superlative ever could.

Part of what’s so terrifying about me is that I don’t believe in anything. Not just in the way that one would demand the nascent comfort of having their life be explained away by a satisfying or at least logical ending, but anything anything. Like having interests and opinions and politics that inform my identity. Instead, my identity is the grey profile picture placeholder. Alien to this world, it is generalizations sloppily pasted on a warm blanket of everything. Adapting from human to human. Coming to terms with the monster under my synthetic skin. Trying on origin stories for sport. Was i sent to earth to draft an intergalactic report on the buoyancy of our atmosphere? To get trade secrets? For love?

These days should be no different. Except that the world has slopped off its upward slope in such brusqueness and expediency that, confronted with these new realities - the rise of the far and further right, so aptly captured by the long-postponed (or awaited?) hero’s welcome of a dictator - I am ripped apart and finally forced to choose a side. And still, I cannot. 

While I condemn these infringements on our civil liberties (so explained away to uphold the Good), I can’t help but still see the humanity in the people who think otherwise and try to understand their narrative of being disenfranchised, so fucked over, ill-represented, and with the same things happening now in a much, much more hushed way. I would argue though that even just the mob righteousness alone is much more appalling - the righteousness that pardoned these present brutalities, and allowed us to distance ourselves from an other who is every bit of the same make up as us, but who just took up the wrong vice. What’s frustrating is that because it’s a war on values, on intangibles, the point is so easily lost and skewed. 

But I am dumb, fake news and, even, facts-exhausted, and already half-expecting someone from either side to swoop in and smite me down. All I know is this country, and world, is mine, but not just mine. It’s a shared space and I wish we could let everyone be heard and understood, considering everything they’ve been through. That we could listen, and listen deeply without intent to rebutt. I suppose we don’t have the luxury to do that anymore, but that’s exactly the world I dread the most.

And really all I’ll do is to keep trying to find the schism where fighting and keeping the peace fold over, and fit myself in that hole. Tell myself there’s beauty in self-erasure. And hush that smaller voice that says I’m so sad and scared and just more than anything sorry for staying silent, and this may very well be my attempt to lobotomize my guilt.

It won’t work, don’t worry.

I have a deep, dark anger inside me. And like most other iterations of one’s own myth of sisyphus, it’s boring and gross and tiring. It has no start or end. Just a whole lot of middle. My middle is a scuffed up scab suckering me into gorge-submission. I dig deep at it, like swatting away a mosquito, until I’m left with the hole. Then, the next day it blossoms into the same rough form. I pick at the wound again and again, hoping that the hole will stay. But the blood always coagulates too fast. But the body is always forty-seven steps behind my itching fingers. I always forget.

Which is funny because I’ve always had such a soft body. Baby pink in softness. I can’t run in place for 1 minute without my throat closing in. I can only make my legs form a small letter v, before they deaden. My back snaps back to its witch’s curve after a few pulls. I would lose every race to a newborn. Worse, I am exactly what’s expected of my outside, no matter how much I rebel against it. They will still tell me that I can’t possibly carry that, or know that, simply because my attempt will betray it. I want to know, is there a graceful way to push a boulder up and down?

There must be. But I forget again that the possibility of this was important. Instead, I am inside your car and fixating on one word you said wrong. That you spent too much time being angry on a phone call for work. That you told me I didn’t have to help you there and it must have meant you thought I was weak. It’s not like I don’t see how stupid it all is. But right then and there, when I can see clearly but there’s a damn spot that won’t rub out and I’m asking for so little, just for everything to be still and the same as it is in my mind, falling prey to the weakness of my body is just so easy and comforting.

The act of rubbing out is fruitless too, for the most part. I inflict a lot of non-lethal marks on my person with blunt surfaces, like fists and palms, because I like pain but I don’t actually like pain. I want to die, but I don’t actually want to venture into the unknowingness of it. All I want is the ringing and that it’ll ellipses your senses into mulch. Rubbing out is fruitless because it is not selective. It wipes your entire memory clean. You wake up. You look at yourself and imagine that you’re just 3 tries away from scaling the mountain.

And this is where I am, on the infinite zigzag of the eternal return. I am broken and ugly, but I’m okay with that. Because I am functional. I am allowing myself to reap the forgiveness, anyway. I have not gone to sleep yet. This is an attempt to push back against myself. 

I will remember, I will start here.

0

zero is

the intersection of the x and y

placeholder for lines that strike at each other, without reason

or end

video game memory

a bit

sum game

the seed of germination

and its abrupt fall from grace


zero is

the nail on my forehead cupped against my mother’s hand

nursing me back to full

she says, “sadness can be overcome with a stronger

relationship with god”

so i talk

and my talk knocks off the walls

and rubs the static off my legs

zero is the crux of the virus

that gestates in its host for the winter

until it is awakened, rewound and ravenous


zero is the cold

unmoving

immaterial matter

potential in the haystack of impotence

where i am a pinprick away from

my eleventh epiphany

hoping this time will still yield that elliptical hole

sharp on its curves, lean on its sides

or

quick to fall into, a crawl to get out off

unsure of whether the pull of gravity

will be up. or down

a mountain without ridges, or

an ocean of entirely deep sea


the difference is negligible.

i’ll throw pebbles in the mouth of zero

but i won’t hesitate for a sound

the things you left behind (are the things I carry)

cheap menthol candy. dog.
shoulder straps.
glasses?
half-empty picture books
captioned by you

these things
stay tucked
into their corners

it’s only I
they undo.

participant observations on floor 8

cubicled in, even when out on location
specimens exhibit an attention to detail,
a venom for the newest cotton blend.
it’s mid-day. dry-cold, as much as the a/c will allow it,
specimens are huddled over
in the thick blades of desk chairs
swelling from the vault.

the rough terrain will not give out. nor I.

instead I’ll
study every bit of you
until I do, unethnocentrically,
an/atomic/ally, every slightly tilted head,
every thousandth monetary unit spent on a
little penciled note about her dead eyes,
every dock off of your loose threads in the
othering world, every lap of the coffee run,
every paper trail to
nowhere.

chase down the grit, grip it harder
before they
count my how do you spell thats
let it settle, let dust collect
let it simmer, let it boil.

some climate changes later
I will chip at the rock and dust off the lint,
theorize what was looming underneath
while the pollutants were eroding,
upwelling,
like pancake batter folding into itself.

let the photographic decay reveal that
earthed long ago, it was I,
digging up myself.

pills

pills rattling inside a hollow
1. cut cleanly into halves
2. burnt to a crisp

I thumb the residual ash on the roofs of my mouth, then my head
spent, slicked, squirted
I am myself, yoked with myself complete
and yet,
they prod this version with a stick in ask
how is it that you stub your tongue on powder?
why do you swallow your gum so hard?


the sound of pills rattling inside a hollow
an overgrowth – signs of weeds, signs of life.

(day 0.01/ so this is how it is)

when you work hard and work noble, in the way that you do as you barely touch the base of your measuring cup, you do it to vindicate yourself of your 87% ability to do most of whatever you want to do, while revving that ability up +13. you do it in a zero-sum way, where everyone else is an ecocidal narcissus, while you are gingerly pressing the nails to your palms — “they do not know, and i (I) do.”

this is how it is when you think that all you need is good intentions, when you think that the shortcut won’t hit snags. how it is is that your want to suffer spectacularly will lead to the biggest ass whooping of your life: you will toil in a painfully banally, slowly way. how it isn’t is that there will never be any good to come out of it.

so this is how it is. you press your head lower, and keep finding other ways in.

thebigbadfox:

Sexuality is fluid

you are permitted a maximum of one 3.4 oz (100 ml) bottle of sexuality per passenger, all bottles must be carried inside a ziplock bag and placed in a bin for inspection prior to boarding the aircraft

(via sook-hee)

vagina dialogues: the origins, among many, of our self-hate

My friends are considerably liberal women whose company I most enjoy when we invite each other to lunch and shamelessly bare our week’s exploits in public. A particular date, however, which was spent waxing poetic on the different degrees of intimacy, left me writhing in discomfort out of what I explained to them was my general dislike of the phallus. Instead of eliciting understanding, my confession caused them to turn to me and ask, sneeringly, “Really? Even compared to, you know… vaginas?” To which I nodded my head, further prompting them to press their quizzical looks on me. While trying to avoid their gaze, I wondered, well, what’s so wrong about preferring our own?

While my friends make up a tiny fragment of the entire heterogeneity of womankind, I can’t help but think their attitude of disgust towards a part inherent and unique to their sex is one that carries over to a broader, cross-cultural conduct. This behavioral epidemic is a cruel hatred of ourselves and each other, as penal-dominated societies continue to dictate and magnify our every flaw. Today, it’s most rooted in the projection of impossible media images centered on the body, which finds traces in the way women were and continue to be constructed in terms of their arguably most distinguishable aspect – their vagina.